Wednesday, 2 November 2022
Fabulous Folklore: Yorkshire Witchcraft
Thursday, 8 September 2022
Review: The Bewitching by Jill Dawson
NEXT - Review: The Sacred Cycles Journal by Jill Pyle
NEXT - Personal Magick: Home Is Where The Heart Is?
Thursday, 25 August 2022
My Dear Terry: Until We Meet Again
My dear Terry, tomorrow it will be a year since you left this world to walk another. There is not a single day that goes past where I don’t think of you. The tears still come so easily. In fact, it gets worse as time goes on. But I know you would smile softly at me, your gentle eyes twinkling, and pat my hand, and tell me that this is just the cycle of life.
Your passing has brought heartbreak, and other losses. I think you would be sad at that, but as a Druid, you understood the terribly complex nature of humans and the world. Which is why you had so much love to give.
I think back to one very wet and windy Samhain night in your living room. I can’t remember which year it was, and I chide myself for not writing all these things down; for not drinking in every last detail as if we would all die tomorrow. Your passing has shown me how much I take for granted, and how I yearn to spend more time with my friends even though time, energy and money are obstacles that stand in my way. I know that when my time comes this will be one of my greatest regrets. That night you left me in charge of roasting the chestnuts, and as they cooked we sat, drinking and chatting, and making merry ‘til the early hours with the people we love. They were happy times; I felt I belonged somewhere, and I often go back to this memory.
I think of the love you spread at countless handfastings. At those of people I didn’t know, at Jax and Mark’s, at my own. You held my hand from the starting point of my pilgrimage. At this point you were less mobile and I can’t help but stifle a laugh at the thought of tiny me trying to help you climb over a locked gate! You were a huge, broad man! We stopped at the heartbreak stone, where you had me cast away anything or anyone that would get in the way of my union. You gave me time and space for contemplation and consideration, and to do this properly. You were ready to assist me again only when I was.
I think of the many Gorsedds you held that I attended with Jane and friends. I smile warmly at the memory of you and I listening to Folk on the radio in your car before we headed into The Old Ford for our moot.
I think of you, Susan, Justin and I sat in your garden that hot Summer Solstice while you waited to be interviewed by Antoines de Caunes. It was so lovely to spend time together. You got Justin to cut the path at the back of your house so that we could walk the field to the stones. Justin got burns on his legs, not realising that most of it was hogweed, and getting no warning from you, the Druid! He bore those burns for weeks! Despite Justin’s discomfort, this memory still makes me laugh. That was a special day, hot and hazy. There was something special between you two; an understanding that you were similar men with shared experiences. You adored each other.
That afternoon I found an injured shrew that stayed with me. It was totally possible to take it into the kitchen without a thought and get it water - such was yours and Susan’s hospitality. I had a thing for your bathroom, I would always spend longer in there than necessary. What would a druids bathroom look like, you might wonder. Yours had clouds on the ceiling and green landscapes on the walls. You only let the closest people stay in your home, and I am grateful for all the times you and Susan honoured me in that way. A magickal cosy room, filled with books and cobwebs. A tiny window, a small mirror, a comfy bed. I was grateful to use that room to get ready for my handfasting. You were old fashioned and believed that women should wear skirts and dresses, but these old fashioned views also meant that you believed a bride should have somewhere to get ready, and so the cosy room was mine. Thank you, my friend.
We spent a lot of time eating dinner. Many a meal was had at The Red Lion. We’d shout you, and in return you’d sit and sip your ale and recount all sorts of funny stories and snippets of information. The first time you met Justin was early November 2013. I threw a Samhain dinner party, timed as such so that your Samhain Druid duties would be done. You gave me strict dinner instructions, despite me being well aware of the fact you wouldn’t eat anything green. The rest of us were eating red Thai curry with rice and crackers, you had your favourite. Sausages. Not too herby. With mash and carrots. I remember feeling proud that my friend The Big Hairy Druid not only ate it all, but enjoyed it. I was so proud because you were so important to me. You slept on my sofa that night and had breakfast with us, too. Special days I will cherish forever.
I could go on and on with the stories, I have many memories and for that I know I am truly blessed. Sometimes I sense you around me. Usually when I’m outside and the wind is blowing. I sense you on the wind ~ in the rustle of the bushes and in the movement of the trees. You are in the wildflowers and in the orange morning light. You are there when the Sun goes down, and you attend my magick circle bringing all the love and wisdom of my magickal ancestors.
You are there when I think “I’d love to show Terry this.” You inhabit my waking thoughts, and bring peace when I feel alone. I can’t thank you enough for being one of the good souls inhabiting my world, and I’ll honour you by trying to be the best person I can and by enjoying my life to the full.
You shall never be forgotten. Your name will ring out amongst Pagans, Druids and Friends for many years to come.
In much love and respect, Terry, until we meet again.
Saturday, 21 May 2022
Fabulous Folklore: The Witches of Belvoir
Thursday, 5 May 2022
Review: Wild Once by Vivianne Crowley
About the Author
Dr. Vivianne Crowley is an internationally renowned Wiccan priestess, worldwide go-to authority on Wicca culture, a psychologist and bestselling author. Formerly Lecturer in Psychology of Religion at King’s College, University of London, she is now a professor in the Faculty of Pastoral Counselling, Cherry Hill Seminary, South Carolina. Her many books have been translated around the world. Learn more at www.viviannecrowley.com
About Wild Once by Vivianne Crowley Wild Once is a spiritual deep-dive into the self. It is a book about quest; about finding and reconnecting with the wilder parts of ourselves to bring happiness, enrichment and spiritual satisfaction into our lives. It is about awakening the magic within, and unleashing the power that arises from standing in our authentic selves. It’s about coming “home” to our true natures.
A beautiful introduction sets us on this insightful journey. The author describes her path; Wicca remains Crowley’s primary spirituality, with some Buddhism and Kabbalah woven in, and psychology featuring heavily. I have already been drawn into the book by the wonderful way that Crowley weaves her words, but as a psychology student Witch from the largest Buddhist community in the UK, I understand that this is going to be a brilliant book, and I start this journey feeling a deep affinity with the author.
The author leads us into a discussion about magic, and the wonder that it is practised at all in the 21st Century. We explore subjects such as synchronicity, science, clairvoyance, the unexpected and premonitions with the author rationalising everything with the pin-point accuracy and sharpness of a psychologist’s mind; affirming magic and relating everything back to consciousness and the human psyche, which are prominent themes throughout.
“Beneath all the constraints of civilisation, there is within us a more natural and untamed self - a wild, magical, ecological self that is close to our animal origins, but close too to our spiritual core. This wilder self takes us away from the superficiality of contemporary life, towards something older and deeper.” - Wild Once
We explore magic further, and how it is woven into our DNA. We come to understand how it shapes us as human beings, and how it can enhance our lives. We look at consumerism and the type of society we have built; and how this has an effect on our ability to connect with each other, the world, and with ourselves.
We come to understand that we have lost our wild connection, but also how easy it is to rediscover it. We are asked if we want our lives to be dedicated to producing and consuming, plus further pertinent questions that have the reader frantically analysing their existence. But this is what good books do, and I feel I can speak for everyone when I say that the reader will feel deep gratitude for being made to think about these topics.
Through the themes of Witchcraft, human psyche and consciousness, we journey through twenty-three incredible chapters where Crowley helps us discover all the ways we can connect to our wild selves. We explore connections with allies, worshipping deity, magical connection to the land, trees, archetypes, meditation, play, ritual, shadow work, journeying to the Otherworld, and the area where we live. We travel to Poland, Australia and France; we attend moonlit forest rituals, and learn what it is to be part of a coven. We meet the Horned God, learn the symbolism of the Phoenix, and discover many more fascinating things that relate to the wildness we all have within. The author’s writing is peppered with personal stories and accounts, some of them deeply intimate, and it is through her experiences we start to recognise exactly what we need to do to become a little wilder again.
The Book’s Strengths The aim of the book is to unearth the wild parts of ourselves and throw off the shackles of society, rediscovering our natural selves and becoming realigned with the interconnectedness of the universe. The author aims to inspire the reader into living an authentic life that belongs to them, and without a doubt, Crowley achieves this. Readers of this book will consistently find themselves questioning the way they do things in their magical and mundane lives, and making a serious pledge for change.
An intimate portrayal of the author’s life and experiences; the reader will appreciate the vivid images of Crowley’s Witchcraft practices and adventures, as she relays how these experiences have shaped and enhanced her own quest to discover herself. Readers will surely recognise themselves in descriptions of the author starting out on her Witchcraft path, and feel comforted to hear that we are all amazing creations, regardless of our human flaws.
The spiritual psychology running throughout neatly ties together the connection between the relationships forged within Witchcraft with human consciousness. We learn that we shouldn’t reject rationality and science, but should instead embrace them with discernment, as we dig a little deeper into our personalities. The author refers to multiple experts, scholars, scientists, philosophers and works throughout, which makes for further reading and learning; which is much appreciated. Whilst it is a deeply academic and philosophical book, Crowley manages to cover each topic in a way that is approachable and enjoyable.
What You Can Learn... The author takes a scholarly approach but it is not stuffy; there is something here for everyone. It is for witches who want to delve a little further into their practice, for witches that want to reconnect with nature, for experienced witches that have strayed from their paths, and for beginner witches who want to learn more about connecting with allies and deities. There is psychology, history, science and anthropology; meaning this is not just a book for magical practitioners, but also those who are not magically minded. It is a book about carving out a life that is memorable and worthwhile; it is about dancing to the beat of your own drum. The lessons in this book are not for Pagans; they are for everyone. They are life affirming and comforting.
This book is an absolute triumph. The reader is left wondering where they should take their life next, and what changes they can make. I want to look for the wild within. I want to overhaul my life and embrace more of the things that make my heart sing. I want to take up drumming, to engage in ritual more, to journey to the Otherworld more, to get outside more, to just “be” more. It is making me want to say “yes” to the opportunities that come my way, and worry much less about living a life for others. Hugely inspiring, this book is so much more than one person’s thoughts and experiences; it is a key to deepening those of others.
Littered with insights about our place in the universe, this book helps us realise that the passing of time is precious, and it is up to us to discover the things in life that fulfil us. We have a unique spiritual journey to make, and all we need to do is to uncover the wild within. NEXT - Review: Witchology Magazine (Spring 2022)
Sunday, 3 April 2022
Review: The Witch-Crafting Handbook by Helena Garcia
About the Author Helena Garcia is a Spanish-British author, actress, crafter, designer and baker. She portrays Lilith (when disguised as Nadja) in the TV Series What We Do in the Shadows (2016), and wowed viewers around the world with her spooky creations on The Great British Bake Off (The Great British Baking Show in the US/Canada). Her first book Introduction to Witchery was published in 2007, followed by The Wicked Baker: Cakes and Treats to Die For (2020), and The Witch-Crafting Handbook (2021). Learn more at www.witchesbyhelenagarcia.com
The Witch-Crafting Handbook by Helena Garcia Dedicated to the grandmother that did so much to inspire her, The Witch-Crafting Handbook is essential for Witches who love to cook and get crafty.
The world - and the judges - adored Garcia’s kooky and spooky creations on the tenth series of The Great British Bake Off; especially her Fairy Garden (not furry garden!) Cake. Garcia has channeled this amazing creativity into The Witch-Crafting Handbook; a colourful and beautiful book with over 70 creative projects to inspire you to get your witch on. Garcia calls upon ancient knowledge, folklore and superstition to create a foundation for her recipes, lotions, potions and projects.
In the Introduction, we hear about Garcia’s childhood, and the visits to her beloved grandmother in northern Spain, shaping the way she sees the world. She traces her joys and passions back to these experiences, and gives us a personal insight into the relationship with the grandmother that she so clearly adores. Hugely evocative, these private glimpses into Garcia’s childhood leaves the reader wishing they had grown up with the same inspiring magic infused into their everyday lives.
“I invite and encourage you to look deeper into tradition; more often than not, simple practices of everyday life will have their roots in some sort of fear of witches or the devil. It’s absurd and fascinating in equal measure, yet ancient practices are not to be dismissed, as there’s wisdom to be rediscovered.” - The Witch-Crafting Handbook
In The Witch-crafting Handbook we are invited to consider old wives tales and remedies, and Garcia outlines the science and thinking behind these, providing a modern version for witches to relieve their coughs, get rid of pesky stains, and make candles last longer. We are reminded that there is a lot to be learned from ancient knowledge, and she inspires the reader to combine this knowledge and simple ingredients to craft fun and beautiful things for the modern house and home.
We make our way through five chapters of incredible witchy projects; The Witch’s Wardrobe, Home Accessories, The Witch’s Apothecary, The Witch’s Cauldron, and The Tipsy Witch. Information on folklore, history and anthropology are included in the description for each project, and the author makes room for adaptation and variation. Beautiful photographs accompany nearly every project, and many of them can be adapted for children, or done with children. The Cat Pom-Pom bracelet and Ghost of Christmas Past Cookies are a must! All the items are modelled beautifully by Garcia, and there are colourful illustrations throughout.
The Book’s Strengths The Witch-crafting Handbook screams fun and creativity. Why make breadsticks when you can make bone breadsticks? Why make a cake when you can create a Green Man cake? Why make cocktails when you can create spooky, witchy cocktails? The photographs are delightful and illustrate the project in hand, but they also serve as a reminder to be a bit more creative when cooking everyday items such as sausage rolls, biscuits, pies and soup.
Ideal for both Samhain and Halloween, it’s a year-round book in reality. Whilst the author advocates for full-time spooky, and the aim of the book is to bring year-round magic into our lives, many of the recipes are either season-less (eg. Flying Sausage Pie), or have been designed specifically with other festivals in mind, for example the Christmas Bauble Chocolate Spiders.
The projects range from easy to intermediate, but all are created with simple kitchen and craft supplies and materials. There are quick and easy projects, and those that will take slightly more time, making this an approachable and inclusive book with something for everyone. The Witch’s Apothecary has a plethora of beautiful skin care and beauty recipes, and there’s enough to host a witchy dinner party from start to finish; taking you from creepy starters to fancy evening cocktails.
What You Can Learn... Throughout the book the author maintains the idea that if you can cook, then you can craft, and after reading this joyful book, the reader is duty-bound to believe. The simple ingredients and materials needed for each project back up this claim; there is nothing scary or unapproachable here, which makes for a world of possibility.
There is a mishmash of captivating and interesting facts throughout the book, which give weight to the recipes and activities included. They illustrate the point that modern day superstitions and behaviours are firmly rooted in the beliefs and knowledge of the past, and that it is a wonderful thing to include these in our creations. We learn why we put little crosses into our cabbages and sprouts before cooking, and we learn the reason for throwing salt over our left shoulder. These stories weave intricately through the recipes and activities like a golden thread, tying it all together into a wonderful, witchy tapestry.
The vibe of this book is hard to describe but falls somewhere between The Wizard of Oz, Bewitched, and The Great British Bake Off. The recipes and activities are colourful and enticing, and will bring pizzazz to your home, your meals, your dinner parties and the way you pamper yourself. The ideas are imaginative, and at the same time non-prescriptive; there’s no reason why you couldn’t change the Shrunken Heads Gingerbread into Demonic Gingerbread Men. This book aims to inspire, and that’s exactly what it does. NEXT - Review: Goddess Provisions Box (January 2022) NEXT - Intention: I Call Back My Power
Saturday, 5 February 2022
Fabulous Folklore: The Crooked House
Friday, 17 December 2021
Simple Magick: The Threefold Law
NEXT - Simple Magick: Sex Magick
NEXT - Word Magick: Deserving Versus Entitled
NEXT - Simple Magick: Spell-Working Ethics
NEXT - Sacred Symbols: The Witch's Foot
Tuesday, 16 November 2021
Fabulous Folklore: Werewolves, Werewolfery & The Werewolf Witch Trials
Wednesday, 27 October 2021
Gather the Witches and the Pendle Pardon Campaign
Monday, 25 October 2021
Fabulous Folklore: The Witches of Warboys
Tuesday, 19 October 2021
Fabulous Folklore: Mother Ludlam’s Cave & The Cauldron
Monday, 18 October 2021
Fabulous Folklore: Black Anna
Sunday, 17 October 2021
Campaign to Pardon the Pendle Witches
Saturday, 16 October 2021
Farewell: Rest In Peace, Wonderful Smurf
NEXT: Farewell: Rest In Peace Terry Dobney, Archdruid of Avebury
NEXT - Fabulous Folklore: Stonehenge
Tuesday, 12 October 2021
Fabulous Folklore: Waverley Abbey
Monday, 20 September 2021
Fabulous Folklore: King Arthur £23 Notes
Thursday, 2 September 2021
Farewell: Rest In Peace Terry Dobney, Archdruid of Avebury
NEXT - Farewell: Rest In Peace, Wonderful Smurf
NEXT - My Dear Terry: Until We Meet Again
NEXT - Fabulous Folklore: The Ring Stone At Avebury
Friday, 9 July 2021
Fabulous Folklore: The Witches of Belvoir
“Surely... God will choke me on this bread if I am guilty!”
It was 1613, and in Langham, Rutland, lived Joan Flowers. She had two daughters, Philippa and Margaret, who worked for the Earl of Rutland who was seated at Belvoir Castle.
Philippa helped in the nursery and Margaret was a poultry keeper and laundress until she was caught stealing eggs, and was dismissed from service. The Countess of Rutland refused to give her a character reference which meant she would be unable to find further employment with other local dignitaries.
Joan Flowers was absolutely enraged. Despite being poor she had built up good standing within her community, and she was angry that her daughter would be treated this way.
She gathered her small coven. Along with Ellen Green of Stathern, Joan Willimott of Goadby, and Anne Baker of Bottesford, and her daughters; the six women climbed to the top of Blackberry Hill, a sinister spot rumoured to be a place of malevolent magick. Here they made a pact with the Devil that revenge would be taken on the Earl and Countess of Rutland, and their three children.
Philippa provided a glove belonging to Lord Ross, Henry Manners, their young son. Joan dipped it in boiling water and rubbed it along the back of her familiar, a black cat called Rutterkin, before pricking it with pins. A week later the child became ill and died. Joan took feathers from the quilt of the Earl and Countess, and boiled the feathers, mixing them with blood, declaring “may they have no more children.”
The same was done with Francis Manners. He fell sick, but recovered. The witches were angry, and resorted to burying his glove in a dung heap, whereby Francis would fade as the glove decayed. Katherine Manners also started looking ill.
The witches were not secretive about what they were doing, and the news of the curse soon made it back to Belvoir Castle. In 1618, all six women were arrested and imprisoned at Lincoln Gaol. After questioning they were taken to the Lincoln Assizes. Joan Flowers maintained she was innocent, despite the evidence that was brought against her, and despite the boasting she had done.
In 1619, Joan stood before a packed court, having asked for bread to be supplied, and exclaimed in front of an audience sat on tenterhooks:
“Surely... God will choke me on this bread if I am guilty!”
She took a bite of the bread... and choked to death.
Joan Flowers’ daughters were found guilty and hanged at Lincoln Castle. It is not sure what happened to the others as it was not recorded, but their deaths did not save Francis Manners who died shortly after in 1620.
A memorial to the Earl and his family can be found at Bottesford Church:
“He had two sonnes, both which dyed in their infancy by wicked practice and sorcerye”
Footnote: There is evidence to suggest that the Flower family were set up. The family were disliked by the staff at Belvoir Castle, and despite being herbal healers were seen in their local community as obnoxious and arrogant. Many witch trials involved local squabbles. There is evidence to suggest that the boys were actually put to death by the Duke of Buckingham, who wanted to marry the Earl of Rutland’s daughter so that he could inherit the Earl’s fortune. It is said that local people were scared of the Flowers family, but we must consider that these were poor, uneducated women who had to defend themselves in court, with the average trial lasting no more than 20 minutes. Joan Flowers is buried at the crossroads in Ancaster.