Showing posts with label Famous Witches. Show all posts
Showing posts with label Famous Witches. Show all posts

Wednesday, 2 November 2022

Fabulous Folklore: Yorkshire Witchcraft

A shot of Clifford's Tower, York, taken from below with the tower framed by a bright blue sky

York was a Viking capital in the 10th century, known as Jórvík. The first castle to be built in York was built in 1068 following the Norman conquest. It was destroyed by rebels and a Viking army in 1069 and was rebuilt - a fortified complex of castles, prisons, churches, law courts and other buildings. The medieval keep (pictured) is known as Clifford’s Tower. York Castle fell into disrepair in the 15th and 16th centuries, but much of the infrastructure still remains and you can walk around the city’s walls today.

Belief in Witchcraft was widespread in medieval Yorkshire, and feelings were mixed. Some were happy to seek help and healing from cunning folk, but others saw these types of people as evil wrongdoers. Later on in the 19th century, Witch Crosses were a popular type of protective magick used in the countryside. They were hung on the outside of barns and buildings to protect the people and animals inside.

Many local women were accused of being witches. Jennet Preston, one of the Pendle (Lancashire) Witches of 1612, was tried at York. It is thought that the outbreaks of “Witchcraft” in the Pendle area suggests that quite a few people were making a living as traditional healers, and that the two families involved ~ that went on to make accusations against each other ~ might have been in competition.

Mary Bateman was a spiritualist, petty thief and later murderer who was named The Yorkshire Witch. She gained this moniker through her claims she had supernatural powers. Born in North Yorkshire she became a con artist after being sacked from her employment for stealing. She told people they had become cursed or placed under harmful spells, prescribing them with charms and feeding one couple puddings in exchange for money. Unfortunately the puddings were laced with poison, but as only the wife ate the pudding and died, the husband reported her to the police. She was tried and executed in York.

In the 17th century, a man named Edward Fairfax believed that six women had bewitched his daughters. They were also tried at York Assizes but were thankfully cleared.

Thursday, 8 September 2022

Review: The Bewitching by Jill Dawson

A cope of The Bewitching by Jill Dawson displayed upon a witch's altar surrounded by bowls, flowers and ornaments

The Bewitching ~ A book by Jill Dawson

A huge thanks to Louise at Hodder Books (@hodderbooks) who sent me this a couple of months ago. The Bewitching is a story drawing on the 16th century case of the Witches of Warboys and is written by Jill Dawson (@jilldawsonauthor).

At first glance I thought my mum had sent me this book because she lives in Warboys, so you can imagine my delight at receiving this! Warboys is a village in the Cambridgeshire fens, and the story of the Witches of Warboys is very much kept alive there. Images of witches can be found all around the village on cars, homes and businesses.

I was especially excited to read this as reviews describe it as “fascinating” “atmospheric” and “gripping,” and it has been a long time since I’ve read fiction or historical fiction.

The book doesn’t disappoint, and “atmospheric” and “gripping” sum it up perfectly. Only a few pages in you’re transported to 16th century England, and you don’t want to leave. I learned so many things reading this book; as you travel the journey of the story you gain insight into the social history of the time. You’re rooting for all the characters in the book, and you’re reading it from the 21st century, so you understand why things play out the way they do. This book triggers the imagination, and I guess I particularly loved this book because I spend time in Warboys, so I felt even closer to the story. I didn’t want to put it down, and I was so sad when I had finished it!

I loved it so much I’m going to check out Jill Dawson’s other books, and make more time to lose myself in fictional books, rather than always reading reference books on Witchcraft.


Thursday, 25 August 2022

My Dear Terry: Until We Meet Again

The late Terry Dobney, Arch Druid of Avebury and Keeper of the Stones, holding his staff and talking whilst wearing his flat cap and tunic.

My dear Terry, tomorrow it will be a year since you left this world to walk another. There is not a single day that goes past where I don’t think of you. The tears still come so easily. In fact, it gets worse as time goes on. But I know you would smile softly at me, your gentle eyes twinkling, and pat my hand, and tell me that this is just the cycle of life. 

Your passing has brought heartbreak, and other losses. I think you would be sad at that, but as a Druid, you understood the terribly complex nature of humans and the world. Which is why you had so much love to give. 

I think back to one very wet and windy Samhain night in your living room. I can’t remember which year it was, and I chide myself for not writing all these things down; for not drinking in every last detail as if we would all die tomorrow. Your passing has shown me how much I take for granted, and how I yearn to spend more time with my friends even though time, energy and money are obstacles that stand in my way. I know that when my time comes this will be one of my greatest regrets. That night you left me in charge of roasting the chestnuts, and as they cooked we sat, drinking and chatting, and making merry ‘til the early hours with the people we love. They were happy times; I felt I belonged somewhere, and I often go back to this memory.

I think of the love you spread at countless handfastings. At those of people I didn’t know, at Jax and Mark’s, at my own. You held my hand from the starting point of my pilgrimage. At this point you were less mobile and I can’t help but stifle a laugh at the thought of tiny me trying to help you climb over a locked gate! You were a huge, broad man! We stopped at the heartbreak stone, where you had me cast away anything or anyone that would get in the way of my union. You gave me time and space for contemplation and consideration, and to do this properly. You were ready to assist me again only when I was. 

I think of the many Gorsedds you held that I attended with Jane and friends. I smile warmly at the memory of you and I listening to Folk on the radio in your car before we headed into The Old Ford for our moot.

I think of you, Susan, Justin and I sat in your garden that hot Summer Solstice while you waited to be interviewed by Antoines de Caunes. It was so lovely to spend time together. You got Justin to cut the path at the back of your house so that we could walk the field to the stones. Justin got burns on his legs, not realising that most of it was hogweed, and getting no warning from you, the Druid! He bore those burns for weeks! Despite Justin’s discomfort, this memory still makes me laugh. That was a special day, hot and hazy. There was something special between you two; an understanding that you were similar men with shared experiences. You adored each other. 

That afternoon I found an injured shrew that stayed with me. It was totally possible to take it into the kitchen without a thought and get it water - such was yours and Susan’s hospitality. I had a thing for your bathroom, I would always spend longer in there than necessary. What would a druids bathroom look like, you might wonder. Yours had clouds on the ceiling and green landscapes on the walls. You only let the closest people stay in your home, and I am grateful for all the times you and Susan honoured me in that way. A magickal cosy room, filled with books and cobwebs. A tiny window, a small mirror, a comfy bed. I was grateful to use that room to get ready for my handfasting. You were old fashioned and believed that women should wear skirts and dresses, but these old fashioned views also meant that you believed a bride should have somewhere to get ready, and so the cosy room was mine. Thank you, my friend. 

We spent a lot of time eating dinner. Many a meal was had at The Red Lion. We’d shout you, and in return you’d sit and sip your ale and recount all sorts of funny stories and snippets of information. The first time you met Justin was early November 2013. I threw a Samhain dinner party, timed as such so that your Samhain Druid duties would be done. You gave me strict dinner instructions, despite me being well aware of the fact you wouldn’t eat anything green. The rest of us were eating red Thai curry with rice and crackers, you had your favourite. Sausages. Not too herby. With mash and carrots. I remember feeling proud that my friend The Big Hairy Druid not only ate it all, but enjoyed it. I was so proud because you were so important to me. You slept on my sofa that night and had breakfast with us, too. Special days I will cherish forever. 

I could go on and on with the stories, I have many memories and for that I know I am truly blessed. Sometimes I sense you around me. Usually when I’m outside and the wind is blowing. I sense you on the wind ~ in the rustle of the bushes and in the movement of the trees. You are in the wildflowers and in the orange morning light. You are there when the Sun goes down, and you attend my magick circle bringing all the love and wisdom of my magickal ancestors. 

You are there when I think “I’d love to show Terry this.” You inhabit my waking thoughts, and bring peace when I feel alone. I can’t thank you enough for being one of the good souls inhabiting my world, and I’ll honour you by trying to be the best person I can and by enjoying my life to the full. 

You shall never be forgotten. Your name will ring out amongst Pagans, Druids and Friends for many years to come. 

In much love and respect, Terry, until we meet again. 

Saturday, 21 May 2022

Fabulous Folklore: The Witches of Belvoir

A shot looking up at Belvoir Castle near Grantham with a cloudy blue sky behind

Trigger Warning: female persecution, murder, capital punishment

Recently we visited Belvoir Castle, near Grantham, Lincolnshire. It is home to the Manners family, and the workplace of Joan Flower and her two daughters.

After Henry and Francis Manners ~ sons of the Earl of Rutland ~ died, Joan Flower and her daughters Margaret and Philippa were accused of witchcraft. It was believed they had cursed the family after recently being sacked from their jobs at the castle, with the boys’ deaths being a final act of revenge.

They were known locally as herbal healers, but after the family fell ill, it was deemed that the Flowers women were responsible. The boys’ deaths left the Earl without an heir.

Others were implicated. Anne Baker, Joan Willimot and Ellen Greene were named by the sisters, and all the women confessed to communing with familiar spirits; Flower’s cat “Rutterkin” and Willimot’s cat “Pretty”, amongst others.

Joan Flower would not confess, and in a bid to prove her innocence exclaimed that she would choke on food if she was guilty of the crimes she was accused of. She was brought some bread and butter and is reported to have died after taking her first bite.

Margaret and Philippa were summarily tried, and then hanged at Lincoln Castle in 1619.

It has been suggested that the Flowers women were framed by George Villiers, who wanted to marry the Earl of Rutland’s daughter, Katherine. By marrying Katherine and using the Flowers as a smokescreen, he could kill the brothers and inherit the Manners’ wealth, including Belvoir Castle. 

Thursday, 5 May 2022

Review: Wild Once by Vivianne Crowley

A copy of Wild Once by Vivianne Crowley displayed on a witch's altar surrounded by witch's stones, crystals and other ornaments


About the Author Dr. Vivianne Crowley is an internationally renowned Wiccan priestess, worldwide go-to authority on Wicca culture, a psychologist and bestselling author. Formerly Lecturer in Psychology of Religion at King’s College, University of London, she is now a professor in the Faculty of Pastoral Counselling, Cherry Hill Seminary, South Carolina. Her many books have been translated around the world. Learn more at www.viviannecrowley.com   


About Wild Once by Vivianne Crowley Wild Once is a spiritual deep-dive into the self. It is a book about quest; about finding and reconnecting with the wilder parts of ourselves to bring happiness, enrichment and spiritual satisfaction into our lives. It is about awakening the magic within, and unleashing the power that arises from standing in our authentic selves. It’s about coming “home” to our true natures.

A beautiful introduction sets us on this insightful journey. The author describes her path; Wicca remains Crowley’s primary spirituality, with some Buddhism and Kabbalah woven in, and psychology featuring heavily. I have already been drawn into the book by the wonderful way that Crowley weaves her words, but as a psychology student Witch from the largest Buddhist community in the UK, I understand that this is going to be a brilliant book, and I start this journey feeling a deep affinity with the author.

The author leads us into a discussion about magic, and the wonder that it is practised at all in the 21st Century. We explore subjects such as synchronicity, science, clairvoyance, the unexpected and premonitions with the author rationalising everything with the pin-point accuracy and sharpness of a psychologist’s mind; affirming magic and relating everything back to consciousness and the human psyche, which are prominent themes throughout. 

“Beneath all the constraints of civilisation, there is within us a more natural and untamed self - a wild, magical, ecological self that is close to our animal origins, but close too to our spiritual core. This wilder self takes us away from the superficiality of contemporary life, towards something older and deeper.” - Wild Once

We explore magic further, and how it is woven into our DNA. We come to understand how it shapes us as human beings, and how it can enhance our lives. We look at consumerism and the type of society we have built; and how this has an effect on our ability to connect with each other, the world, and with ourselves.

We come to understand that we have lost our wild connection, but also how easy it is to rediscover it. We are asked if we want our lives to be dedicated to producing and consuming, plus further pertinent questions that have the reader frantically analysing their existence. But this is what good books do, and I feel I can speak for everyone when I say that the reader will feel deep gratitude for being made to think about these topics.

Through the themes of Witchcraft, human psyche and consciousness, we journey through twenty-three incredible chapters where Crowley helps us discover all the ways we can connect to our wild selves. We explore connections with allies, worshipping deity, magical connection to the land, trees, archetypes, meditation, play, ritual, shadow work, journeying to the Otherworld, and the area where we live. We travel to Poland, Australia and France; we attend moonlit forest rituals, and learn what it is to be part of a coven. We meet the Horned God, learn the symbolism of the Phoenix, and discover many more fascinating things that relate to the wildness we all have within. The author’s writing is peppered with personal stories and accounts, some of them deeply intimate, and it is through her experiences we start to recognise exactly what we need to do to become a little wilder again.  

The Book’s Strengths The aim of the book is to unearth the wild parts of ourselves and throw off the shackles of society, rediscovering our natural selves and becoming realigned with the interconnectedness of the universe. The author aims to inspire the reader into living an authentic life that belongs to them, and without a doubt, Crowley achieves this. Readers of this book will consistently find themselves questioning the way they do things in their magical and mundane lives, and making a serious pledge for change.

An intimate portrayal of the author’s life and experiences; the reader will appreciate the vivid images of Crowley’s Witchcraft practices and adventures, as she relays how these experiences have shaped and enhanced her own quest to discover herself. Readers will surely recognise themselves in descriptions of the author starting out on her Witchcraft path, and feel comforted to hear that we are all amazing creations, regardless of our human flaws.

The spiritual psychology running throughout neatly ties together the connection between the relationships forged within Witchcraft with human consciousness. We learn that we shouldn’t reject rationality and science, but should instead embrace them with discernment, as we dig a little deeper into our personalities. The author refers to multiple experts, scholars, scientists, philosophers and works throughout, which makes for further reading and learning; which is much appreciated. Whilst it is a deeply academic and philosophical book, Crowley manages to cover each topic in a way that is approachable and enjoyable. 

What You Can Learn... The author takes a scholarly approach but it is not stuffy; there is something here for everyone. It is for witches who want to delve a little further into their practice, for witches that want to reconnect with nature, for experienced witches that have strayed from their paths, and for beginner witches who want to learn more about connecting with allies and deities. There is psychology, history, science and anthropology; meaning this is not just a book for magical practitioners, but also those who are not magically minded. It is a book about carving out a life that is memorable and worthwhile; it is about dancing to the beat of your own drum. The lessons in this book are not for Pagans; they are for everyone. They are life affirming and comforting.

This book is an absolute triumph. The reader is left wondering where they should take their life next, and what changes they can make. I want to look for the wild within. I want to overhaul my life and embrace more of the things that make my heart sing. I want to take up drumming, to engage in ritual more, to journey to the Otherworld more, to get outside more, to just “be” more. It is making me want to say “yes” to the opportunities that come my way, and worry much less about living a life for others. Hugely inspiring, this book is so much more than one person’s thoughts and experiences; it is a key to deepening those of others.

Littered with insights about our place in the universe, this book helps us realise that the passing of time is precious, and it is up to us to discover the things in life that fulfil us. We have a unique spiritual journey to make, and all we need to do is to uncover the wild within. NEXT - Review: Witchology Magazine (Spring 2022)

Sunday, 3 April 2022

Review: The Witch-Crafting Handbook by Helena Garcia

The Witch-crafting Handbook by Helena Garcia displayed next to a pumpkin and some ghost biscuits

About the Author Helena Garcia is a Spanish-British author, actress, crafter, designer and baker. She portrays Lilith (when disguised as Nadja) in the TV Series What We Do in the Shadows (2016), and wowed viewers around the world with her spooky creations on The Great British Bake Off (The Great British Baking Show in the US/Canada). Her first book Introduction to Witchery was published in 2007, followed by The Wicked Baker: Cakes and Treats to Die For (2020), and The Witch-Crafting Handbook (2021).  Learn more at www.witchesbyhelenagarcia.com   


The Witch-Crafting Handbook by Helena Garcia Dedicated to the grandmother that did so much to inspire her, The Witch-Crafting Handbook is essential for Witches who love to cook and get crafty.  

The world - and the judges - adored Garcia’s kooky and spooky creations on the tenth series of The Great British Bake Off; especially her Fairy Garden (not furry garden!) Cake. Garcia has channeled this amazing creativity into The Witch-Crafting Handbook; a colourful and beautiful book with over 70 creative projects to inspire you to get your witch on. Garcia calls upon ancient knowledge, folklore and superstition to create a foundation for her recipes, lotions, potions and projects.

In the Introduction, we hear about Garcia’s childhood, and the visits to her beloved grandmother in northern Spain, shaping the way she sees the world. She traces her joys and passions back to these experiences, and gives us a personal insight into the relationship with the grandmother that she so clearly adores. Hugely evocative, these private glimpses into Garcia’s childhood leaves the reader wishing they had grown up with the same inspiring magic infused into their everyday lives. 

“I invite and encourage you to look deeper into tradition; more often than not, simple practices of everyday life will have their roots in some sort of fear of witches or the devil. It’s absurd and fascinating in equal measure, yet ancient practices are not to be dismissed, as there’s wisdom to be rediscovered.” - The Witch-Crafting Handbook

In The Witch-crafting Handbook we are invited to consider old wives tales and remedies, and Garcia outlines the science and thinking behind these, providing a modern version for witches to relieve their coughs, get rid of pesky stains, and make candles last longer. We are reminded that there is a lot to be learned from ancient knowledge, and she inspires the reader to combine this knowledge and simple ingredients to craft fun and beautiful things for the modern house and home. 

We make our way through five chapters of incredible witchy projects; The Witch’s Wardrobe, Home Accessories, The Witch’s Apothecary, The Witch’s Cauldron, and The Tipsy Witch. Information on folklore, history and anthropology are included in the description for each project, and the author makes room for adaptation and variation. Beautiful photographs accompany nearly every project, and many of them can be adapted for children, or done with children. The Cat Pom-Pom bracelet and Ghost of Christmas Past Cookies are a must! All the items are modelled beautifully by Garcia, and there are colourful illustrations throughout.

The Book’s Strengths The Witch-crafting Handbook screams fun and creativity. Why make breadsticks when you can make bone breadsticks? Why make a cake when you can create a Green Man cake? Why make cocktails when you can create spooky, witchy cocktails? The photographs are delightful and illustrate the project in hand, but they also serve as a reminder to be a bit more creative when cooking everyday items such as sausage rolls, biscuits, pies and soup.

Ideal for both Samhain and Halloween, it’s a year-round book in reality. Whilst the author advocates for full-time spooky, and the aim of the book is to bring year-round magic into our lives, many of the recipes are either season-less (eg. Flying Sausage Pie), or have been designed specifically with other festivals in mind, for example the Christmas Bauble Chocolate Spiders. 

The projects range from easy to intermediate, but all are created with simple kitchen and craft supplies and materials. There are quick and easy projects, and those that will take slightly more time, making this an approachable and inclusive book with something for everyone. The Witch’s Apothecary has a plethora of beautiful skin care and beauty recipes, and there’s enough to host a witchy dinner party from start to finish; taking you from creepy starters to fancy evening cocktails. 

What You Can Learn... Throughout the book the author maintains the idea that if you can cook, then you can craft, and after reading this joyful book, the reader is duty-bound to believe. The simple ingredients and materials needed for each project back up this claim; there is nothing scary or unapproachable here, which makes for a world of possibility. 

There is a mishmash of captivating and interesting facts throughout the book, which give weight to the recipes and activities included. They illustrate the point that modern day superstitions and behaviours are firmly rooted in the beliefs and knowledge of the past, and that it is a wonderful thing to include these in our creations. We learn why we put little crosses into our cabbages and sprouts before cooking, and we learn the reason for throwing salt over our left shoulder. These stories weave intricately through the recipes and activities like a golden thread, tying it all together into a wonderful, witchy tapestry. 

The vibe of this book is hard to describe but falls somewhere between The Wizard of Oz, Bewitched, and The Great British Bake Off. The recipes and activities are colourful and enticing, and will bring pizzazz to your home, your meals, your dinner parties and the way you pamper yourself. The ideas are imaginative, and at the same time non-prescriptive; there’s no reason why you couldn’t change the Shrunken Heads Gingerbread into Demonic Gingerbread Men. This book aims to inspire, and that’s exactly what it does. NEXT - Review: Goddess Provisions Box (January 2022) NEXT - Intention: I Call Back My Power

Saturday, 5 February 2022

Fabulous Folklore: The Crooked House

The Crooked House in Lavenham, Suffolk with Christmas garlands hung from the wooden rafters

This is The Crooked House in Lavenham, Suffolk. It dates back to 1395, and it is believed that it is the inspiration behind the old folk poem:

“There was a crooked man, and he walked a crooked mile,
He found a crooked sixpence against a crooked stile;
He bought a crooked cat, which caught a crooked mouse,
And they all liv’d together in a little crooked house.”

The Crooked House has been used as a gallery and by an arts, history and antiques outfit. It is also used for filming and events.

I don’t live in Suffolk any more, but I really miss visiting Lavenham. It is considered to be Britain’s best preserved medieval village, and was East Anglia’s most famous wool town. As such, tiny Lavenham was once Britain’s 14th richest town, and among the twenty most wealthy settlements in the medieval period. Lavenham has a rich cultural heritage, and is known worldwide as a film location for Harry Potter.

There are other beautiful buildings to see here - the Guildhall, Molet House (which has a five pointed star in the doorway), and the Old Grammar School. De Vere House, another incredible building, was the home of Elizabeth Scrope, Countess of Oxford. She was the second wife of John de Vere, 13th earl of Oxford, and was tried and then held under house arrest for Witchcraft in 1473.

Would you live in this house? What’s your favourite place to visit?

Friday, 17 December 2021

Simple Magick: The Threefold Law

A pale blue candle in a pale blue bowl of snow sitting on a wooden slice with magickal herbs around it

The Threefold Law, is probably one of the most misunderstood things in Witchcraft.

It is often described as an act of Karma, but that’s not how it works.

Attributed to Gerald Gardner, the idea is whatever energy you send out to others, will be returned three times as strong. Not in a Karmic way, but as a response. In this way it is a code of conduct amongst witches:

“Though hast obeyed the Law, but mark well, when thou receivest good, so equally art bound to return good threefold.”

So when you receive blessings from someone, you should return them three times. The same goes for the opposite.

This does not mean that whatever energy you send out into the universe will somehow come back to you, three times as strong. (That is the Boomerang Effect, and “threefold” in this instance is more metaphorical than precise.)

Tuesday, 16 November 2021

Fabulous Folklore: Werewolves, Werewolfery & The Werewolf Witch Trials

Painting of a man and a woman on a stormy night being growled at by a werewolf

The word werewolf comes from the Old English word werwulf, a compound of wer "man" and wulf "wolf". The werewolf, or lycanthrope, is a human with the ability to shapeshift into a wolf (or wolf-like creature) after being placed under a curse, or attacked by another werewolf.

The belief in werewolves is said to have developed parallel to the belief in witches around the Late Middle Ages, and was widespread throughout much of Europe.

The hunt for ~ and persecution of ~ werewolves is integral to the witch hunt phenomenon. Accusations of lycanthropy were unusual, but did appear during witchcraft trials. Werewolf trials started in Switzerland, and spread to Germany, France, Austria and the Balkans. Between 1527 and 1725, there were at least 18 trials that involved people being accused of lycanthropy as a part of their alleged witchcraft. Some trials did not involve witchcraft, and instead were focused on general wolf-related crimes; for example wolf riding or wolf charming.

The first werewolf trial happened in 1521 but was not related to witchcraft. It was the trial of two serial killers who having been tortured by the Church confessed to being werewolves. In 1692, a man named Thiess claimed to be a “good” werewolf. He openly admitted ~ without torture ~ to being a werewolf, and said they were the Hounds of God who helped combat witches and demons.

It is believed that many of the accused were actually suffering from a rare mental illness called “clinical lycanthropy”, in which the sufferer believes they are able to turn into a feral animal.

During the time witch and werewolf trials took place, things were pretty shaky (the Protestant Reformation was sweeping through the land) and the Church used the interrogations of “witches” and “werewolves” to bolster their power and influence.

Image is a photo of a piece of art found at The Museum of Witchcraft & Magic, Boscastle. 

Wednesday, 27 October 2021

Gather the Witches and the Pendle Pardon Campaign

Glowing pumpkin with The Cemetery Witch carved into it

Hey everyone, today're talking the Pendle Witch Trials and the Pendle Pardon Campaign. I’m taking part in the @witch.with.me annual #gatherthewitches hashtag challenge over on Instagram. Today’s prompt is Pumpkin, and here’s my “The Cemetery Witch” pumpkin. I didn’t have enough room for the “The”, but I managed to get in a gravestone and a bat at least!

I’d love to take this opportunity to remind you all that I am supporting Blackpool Tower Dungeon (@btowerdungeon) and Semra Haksever’s (@mamamooncandles) campaign to pardon the Pendle witches.

This Halloween they’re recounting the terrible tale, and launching a campaign to call on the UK government to grant an official pardon for the ten innocent people who were convicted and hanged for Witchcraft in 1612. Of course, the Pendle witches were not the only ones who suffered in this way. Many innocent people were victimised, and suffered the same fate.

Please add your signature to the petition (link in my Instagram bio and more information on all three of our pages).

Be sure also to check out Gather the Witches - the second, annual online witchy event happening this Samhain - head over to the @witch.with.me page for more information. Have a go at this challenge, you could win some free tickets!

Monday, 25 October 2021

Fabulous Folklore: The Witches of Warboys

Village sign for Warboys showing local attractions including two witches

This is the sign that hangs in the village of Warboys, Cambridgeshire. My parents live there, and around the village you will spot witches on bumper stickers, weathervanes, and in company logos. The local football team is known affectionately as The Witches, the local cricket club has a witch in their emblem, too.

Whilst I love seeing the witches everywhere, there is a devastating reason for their presence.

The Witches of Warboys were Alice Samuel and family. Alice was accused of being a witch by a 9-year old girl, and the family were executed for witchcraft between 1589 and 1593. This case attracted a great deal of attention, and it was this trial especially that influenced the passage of the Witchcraft Act 1604. The Act's full title was An Act against Conjuration, Witchcraft and dealing with evil and wicked spirits, and it was this statute that was enforced by Matthew Hopkins, the self-styled Witchfinder General.

Poor Alice Samuel (76) was accused by Jane Throckmorton. Her four sisters - only slightly older than Jane- and twelve servants, would later echo these accusations. The sisters were daughters of Robert Throckmorton, a well connected commoner who was a close friend of Sir Henry Cromwell, grandfather to Oliver Cromwell. Lady Cromwell had a conversation with Alice about the trouble she found herself in. That night she had nightmares, fell ill and then died, which cemented the idea in the Throckmorton’s heads that Alice and her family were witches.

A parson convinced Alice to admit to witchcraft and despite retracting this statement, she admitted to it again when placed before the Bishop of Lincoln; later a keen supporter of the Witchcraft Act of 1604. The trial that resulted would find Alice, her husband, and her daughter guilty. They were hanged in Warboys.

Their corpses were examined and Alice had a “witches’ mark”, which was important legal proof at this time. If she had a mark at all I’m sure it was something common like a skin tag.

How awful it must have been to be defenceless, and at the mercy of the wealthy ruling classes. Whenever I see this sign I think of these poor people, and wish it could have been different for them.

Tuesday, 19 October 2021

Fabulous Folklore: Mother Ludlam’s Cave & The Cauldron

Old iron gate at Mother Ludlam's Cave, surrounded by foliage

This is Mother Ludlam’s Cave, also known as Mother Ludlam’s Hole; the alleged home of the 17th Century Surrey witch, and a stone’s throw from Waverley Abbey, which I showed you the other day.

It’s a small cave in the sandstone cliff above the River Wey in Farnham. People would visit Mother Ludlam here, and ask to borrow her pots and pans. She would kindly lend anything, provided it was returned within two days.

A man asked Mother Ludlam if he could borrow her cauldron. She wasn’t keen on this idea at all, but relented. But unlike the other villagers, who frequently borrowed and returned her things, the man failed to return the cauldron.

Word soon got out that the witch had left her cave and was extremely angry. The man, absolutely terrified at the thought of what might become of him, sought sanctuary in Frensham Church, where he remained, and where the cauldron belongs to this very day.

It is also said that the Devil came here once, disguised as a man, and he asked to borrow the cauldron, but Mother Ludlam spotted his hoof prints in the sand, thus refusing his request. The devil stole it anyway, and she chased him in pursuit. The Devil made three great leaps, which are locally known as the Devil’s Jumps, which are just down the road in Churt. 

There are other stories, too. The cauldron has been linked to Norse gods, fairies, Saxon chieftains, Celtic gods, burrowing monks, and many other things. I haven’t visited the cauldron yet, but I intend to, the next time I go home.

Monday, 18 October 2021

Fabulous Folklore: Black Anna

Lit candle in a darkened room casting two shadows on to the window pane

Locally there used to be a cave, called Black Annis’ Bower, and it was believed to be inhabited by a savage, bedraggled, and scary woman, with blue skin, great pointy teeth and long, sharp nails.

When the local children went out to play they were warned that Black Anna, this horrible old hag with blue skin, would snatch and devour them. To be caught by Black Anna would mean being scratched to death, sucked dry of blood, and having your skin hung up to dry; later to be worn around her waist as a skirt.

You could hear her howling from five miles away, and some said you could hear her grinding her teeth as she approached; giving people time to lock their doors and move away from their windows, which were hung with protective herbs. It is said that the cottages of Leicestershire were built with one small window so that she could only get one arm inside.

“Tis said the soul of mortal man recoiled,
To view Black Annis' eye, so fierce and wild,
Vast talons, foul with human flesh, there grew,
In place of hands, and features livid blue,
Glared in her visage, whilst her obscene waist,
Warm skins of human victims close embraced.
Not without terror they the cave survey,
Where hung the monstrous trophies of her sway,
'Tis said that in the rock large rooms were found,
Scooped with her claws beneath the flinty ground.”

By the end of the 19th century the story had changed somewhat. She was instead known as Cat Anna, and was thought to be a witch living in the cellars under Leicester Castle. She was said to run along underground tunnels from the castle to the Dane Hills, the area where her cave was situated, on the lookout for lambs and small children to snatch.

There are lots of theories about Black Annis. Some say this story is based on an actual woman named Agnes Scott, a hermit of the forest, who died in 1455. It has also been suggested that she represents Anu the Celtic Goddess, or the Cailleach Bheur; the blue hag of the Highlands. For others she is a dark aspect of the Goddess, or the Crone. For others she is partner to the Leicester Bel; Annis being Samhain to Bel’s Beltane.

Sunday, 17 October 2021

Campaign to Pardon the Pendle Witches

Postcard for the Pardon the Pendle Witches Campaign laying on a brass tray

I am supporting Blackpool Tower Dungeon (@btowerdungeon) and Semra Haksever’s (@mamamooncandles) campaign to pardon the Pendle witches. They have called upon the expertise of Robert Poole, Professor of History at the University of Central Lancashire (@uclanuni).

This Halloween they’re recounting the terrible tale of the Pendle Witches, and launching a campaign to call on the UK government to grant an official pardon for the ten innocent people who were convicted and hanged for Witchcraft in 1612.

“The Lancashire Witches were the victims of a gross miscarriage of justice. They were convicted of an impossible crime, by methods that amounted to persecution, on the basis of patently false evidence which they were not able to contest. It’s high time they were given a pardon.” ~ Robert Poole

The names of the Pendle witches are:
Anne Whittle 
Ann Redfearn
Elizabeth Device 
Alice Nutter
Alison Device 
James Device 
Katherine Hewitt 
Jane Bulcock 
John Bulcock 
Isobel Robey

Sadly, the Pendle witches were not the only ones who suffered in this way. Many innocent people were victimised, and suffered the same fate.

This campaign is a stance against prejudice. As well as adding your signature to the petition (below), we want to hear tales of solidarity and commitment to stamping out stereotypes. You can add your voice by tagging your posts #imawitch on social media.

Thank you.

https://petition.parliament.uk/petitions/598232

Saturday, 16 October 2021

Farewell: Rest In Peace, Wonderful Smurf

Picture of Smurf at Stonehenge wearing sandals and a cloak and smiling

Another great man gone. For the second time in as many months, I’ve had my heart broken, and been shown that life will never be the same again.

You were an absolute hulk of a man, and a joy to be around. A big smile, a big booming voice; you gave huge and heartfelt hugs.

Loved by so many, you did so much for our Pagan and LARP communities; and you made a brilliant Father Christmas for the kids each year.

I’ll always think of you dragging around that bloody mandolin (what I wouldn’t give to hear a few notes of that now…), and wearing your sandals, ready to greet everyone with your joyful enthusiasm.

Our wonderful moot brother, our friend, our family.

Our moot leader has dedicated this beautiful lament by Doreen Valiente to Smurf:

 Elegy for a Dead Witch
(Written by Doreen Valiente for Robert Cochrane)

To think that you are gone, over the crest of the hills,
As the Moon passed from her fullness, riding the sky,
And the White Mare took you with her.
To think that we will wait another life,
To drink the wine from the horns and leap the fire.
Farewell from this world, but not from the Circle.
That place that is between the worlds
Shall hold return in due time. Nothing is lost.
The half of a fruit from the tree of Avalon
Shall be our reminder, among the fallen leaves
This life treads underfoot. Let the rain weep.
Waken in sunlight from the Realms of Sleep.

Tuesday, 12 October 2021

Fabulous Folklore: Waverley Abbey

The arched passageways of Waverley Abbey, Farnham, Surrey, bathed in a gorgeous bright light

At the weekend we travelled back home and visited one of my favourite places; Waverley Abbey, Farnham, Surrey.

It is in a beautiful spot situated by the River Wey. It was the first monastery in Britain to be built by the reforming Cistercian religious order; a group of French monks settling here in 1128. The monks valued hard, physical work as part of their devotions, building a series of medieval bridges along the River Wey from the Abbey to nearby Guildford.

There is ample archaeological evidence to show that the river has attracted human settlement in this area for thousands of years, and it certainly holds a strong pull for me. It is only ruins now, but I’m amazed that what has survived has done so at all. It was my thinking place when I lived just down the road. Many a lazy afternoon, many a book read, and many a picnic has happened here.

It has been featured in several films: Elizabeth (1998), Into the Woods (2014), Hot Fuzz (2007), and my personal favourite, the post-apocalyptic zombie film 28 Days Later (2002).

Around the corner is an ancient spring (that supplied Waverley Abbey), and a cave that is the alleged home of the Surrey Witch, which I’ll share with you a bit later.

Monday, 20 September 2021

Fabulous Folklore: King Arthur £23 Notes

Hand holding a £23 note showing the face of King Arthur

I see some funny things on my travels, in this instance a £23 note given to my friend by King Arthur Pendragon at our friend’s funeral on Friday.

For those who aren’t aware, Arthur Uther Pendragon is an eco-campaigner and Druid, best known for his battles with English Heritage regarding the monument of Stonehenge, and a self-declared reincarnation of King Arthur, a name by which he is also known. He is the face on the £23 note, and for those that don’t live in England, £23 notes are not a thing.

Hand holding a £23 note showing the back which depicts Stonehenge

The back of the note reads:

“The sum total of all wealth in the world is the sum total of all human activity, paid and unpaid, through all time on this planet. Therefore, we say, it must be free.”

I was kind of lucky that I could show you this now, as it fits neatly into my “pink” scheme (more obvious on Instagram). This is often how it goes, my page seems to sort of flow, and the pink things appear! But I often feel constrained by the colour scheme I have set myself, and there is a pressure to post every day, to create a “chunk” of colour, something I struggle with when my health is not good.

I am considering changing the page to “free” images for a while, and post up what I want, when I want. Whilst my page and posts are not contrived, it could be time for a change.

What do you think? Is it the colour scheme that brought you here, or the information in the posts? Would you like to see a change? 

Thursday, 2 September 2021

Farewell: Rest In Peace Terry Dobney, Archdruid of Avebury

Picture of Terry Dobney, Archdruid of Avebury outside The Red Lion Pub

Still totally heartbroken. Distance and the pandemic meant we hadn’t seen you in ages, but I have so many happy memories from over the years. I dreamed of you 4 weeks ago… talking, upright, a smile, and a twinkle in your eye… so I knew you were going to the Summerlands soon.

Handfasted couple about to bite an apple presented by Terry Dobney, Archdruid of Avebury

You were an incredible and intelligent man who brought joy to the lives of many. A magickal Elder who did so much for the Pagan community, both here and abroad, a truly cosmic being, but most of all... my friend.

Druid in a motorcycle jacket shaking hands with a woman and young child

My heart is with anyone that ever knew or loved you.

Friday, 9 July 2021

Fabulous Folklore: The Witches of Belvoir

Two slices of bread on a plate with some yellow flowers

“Surely... God will choke me on this bread if I am guilty!”

It was 1613, and in Langham, Rutland, lived Joan Flowers. She had two daughters, Philippa and Margaret, who worked for the Earl of Rutland who was seated at Belvoir Castle.

Philippa helped in the nursery and Margaret was a poultry keeper and laundress until she was caught stealing eggs, and was dismissed from service. The Countess of Rutland refused to give her a character reference which meant she would be unable to find further employment with other local dignitaries.

Joan Flowers was absolutely enraged. Despite being poor she had built up good standing within her community, and she was angry that her daughter would be treated this way.

She gathered her small coven. Along with Ellen Green of Stathern, Joan Willimott of Goadby, and Anne Baker of Bottesford, and her daughters; the six women climbed to the top of Blackberry Hill, a sinister spot rumoured to be a place of malevolent magick. Here they made a pact with the Devil that revenge would be taken on the Earl and Countess of Rutland, and their three children.

Philippa provided a glove belonging to Lord Ross, Henry Manners, their young son. Joan dipped it in boiling water and rubbed it along the back of her familiar, a black cat called Rutterkin, before pricking it with pins. A week later the child became ill and died. Joan took feathers from the quilt of the Earl and Countess, and boiled the feathers, mixing them with blood, declaring “may they have no more children.”

The same was done with Francis Manners. He fell sick, but recovered. The witches were angry, and resorted to burying his glove in a dung heap, whereby Francis would fade as the glove decayed. Katherine Manners also started looking ill.

The witches were not secretive about what they were doing, and the news of the curse soon made it back to Belvoir Castle. In 1618, all six women were arrested and imprisoned at Lincoln Gaol. After questioning they were taken to the Lincoln Assizes. Joan Flowers maintained she was innocent, despite the evidence that was brought against her, and despite the boasting she had done.

In 1619, Joan stood before a packed court, having asked for bread to be supplied, and exclaimed in front of an audience sat on tenterhooks:

“Surely... God will choke me on this bread if I am guilty!”

She took a bite of the bread... and choked to death.

Joan Flowers’ daughters were found guilty and hanged at Lincoln Castle. It is not sure what happened to the others as it was not recorded, but their deaths did not save Francis Manners who died shortly after in 1620.

A memorial to the Earl and his family can be found at Bottesford Church:

“He had two sonnes, both which dyed in their infancy by wicked practice and sorcerye”

Footnote: There is evidence to suggest that the Flower family were set up. The family were disliked by the staff at Belvoir Castle, and despite being herbal healers were seen in their local community as obnoxious and arrogant. Many witch trials involved local squabbles. There is evidence to suggest that the boys were actually put to death by the Duke of Buckingham, who wanted to marry the Earl of Rutland’s daughter so that he could inherit the Earl’s fortune. It is said that local people were scared of the Flowers family, but we must consider that these were poor, uneducated women who had to defend themselves in court, with the average trial lasting no more than 20 minutes. Joan Flowers is buried at the crossroads in Ancaster.

NEXT - Fabulous Folklore: The Edith Weston Poltergeist

Saturday, 20 February 2021

Building Community: Witches I Love

A selection of Instagram witches displayed in a blue grid

Today’s @witch.with.me prompt over on Instagram is “Witches Who Inspire Me”, and this is a really tough one, because I can honestly say, hand-on-heart, that every single Witch on here is inspiring in some way.

I’ve picked four amazing witches you should check out (sorry for nicking your pictures guys!) 

Daniel @theanimist_ for his beautiful and insightful page and posts

Gabi @wiccawolfie for her friendship, kindness and her gorgeous Scandinavian page

Aunt Carla @marielizzeau for her wonderful magick and positivity

Inbaal @inbaalpsychic for her amazing tarot reading and beautiful smile

There are simply too many to mention ~ sorry if I’ve missed you out - but other accounts you should definitely check out are:

@marget.inglis_witchcraft
@love_is_the_law__ 
@thewitchesstone
@megrosenbriar
@heartaches.ofthemoon
@thewildmoongarden
@thegreenwitchwriter
@theintuitivecat
@onebosswitch
@the.tangled.hedgerows
@thejournalsupreme
@josiehelleboreofficial
@wheatandchaff
@thorsonnsworkshop 

I’d also like to give a nod to my lovely husband who lurks on Instagram and who has a magick all of his own.

If you’re not following these guys go check them out!